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VITTORIANO
The Monumento Nazionale a Vittorio Emanuele II (National Monument of Victor Emmanuel II) or Altare della Patria (Altar of the Fatherland) or "Il Vittoriano" is a monument to honour Victor Emmanuel, the first king of a unified Italy, located in Rome, Italy. It occupies a site between the Piazza Venezia and the Capitoline Hill. The monument was designed by Giuseppe Sacconi in 1885; sculpture for it was parceled out to established sculptors all over Italy, such as Angelo Zanelli.[1] It was inaugurated in 1911 and completed in 1935.[2]
The monument, "chopped with terrible brutality into the immensely complicated fabric of the hill",[3] is built of pure white marble from Botticino, Brescia, and features majestic stairways, tall Corinthian columns, fountains, a huge equestrian sculpture of Victor Emmanuel and two statues of the goddess Victoria riding on quadrigas. The structure is 135 m (443 ft) wide and 70 m (230 ft) high. If the quadrigae and winged victories are included, the height is to 81 m (266 ft).[2]
Unknown soldier
The monument holds the Tomb of the Unknown Soldier with an eternal flame, built under the statue of Italy after World War I following an idea of General Giulio Douhet. The body of the unknown soldier was chosen on October 26, 1921 from amongst 11 unknown remains by Maria Bergamas, a woman from Gradisca d'Isonzo whose only child was killed during World War I. Her son's body was never recovered. The selected unknown was transferred from Aquileia, where the ceremony with Bergamas had taken place to Rome and buried in a state funeral on November 4, 1921.
Controversy
The monument was controversial since its construction destroyed a large area of the Capitoline Hill with a Medieval neighbourhood for its sake. The monument itself is often regarded as pompous and too large.[4][6][7] It is clearly visible to most of the city of Rome despite being boxy in general shape and lacking a dome or a tower.[2] The monument is also glaringly white, making it highly conspicuous amidst the generally brownish buildings surrounding it, and its stacked, crowded nature has lent it several nicknames. Foreign people sometimes refer to the structure by a variety of nickname, such as "the wedding cake" and Romans as "the typewriter".[8] Despite all this criticism, the monument still attracts a large number of visitors. Former President of the Republic Carlo Azeglio Ciampi fostered the opening of the Vittoriano as a public forum and viewpoint over the City core. This new accessibility allowed visitors to become familiar with the landmark, enabling it to grow in popular, if not critical, reputation.
